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	<title>十万个为什么 &#187; 文化与艺术</title>
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	<description>打造在线青少年百科全书！</description>
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		<title>为什么《蒙娜·丽莎》的微笑有永恒的魅力？</title>
		<link>http://www.10why.net/20111231/mnls-weixiao/</link>
		<comments>http://www.10why.net/20111231/mnls-weixiao/#comments</comments>
		<pubDate>Sat, 31 Dec 2011 03:22:08 +0000</pubDate>
		<dc:creator>jackly</dc:creator>
				<category><![CDATA[推荐]]></category>
		<category><![CDATA[文化与艺术]]></category>
		<category><![CDATA[微笑]]></category>
		<category><![CDATA[蒙娜丽莎]]></category>

		<guid isPermaLink="false">http://www.10why.net/?p=3232</guid>
		<description><![CDATA[画坛巨匠达·芬奇在文艺复兴时期最出色的代表作是《蒙娜·丽莎》 ，这是人类文化宝库中的瑰宝。这幅肖像最重要的艺术特征是蒙娜·丽莎的微笑，有“谜一般的微笑”、“神秘的微笑”之称。当时作者创作这幅画时是在黑暗的中世纪，蒙昧残酷的封建统治和基督教的禁欲主义使西欧人带上了沉重的精神枷锁，任何喜怒哀乐都会被视为触犯了上帝的天条。文艺复兴给西欧的画坛带来了生机，作为时刻关注国家命运的达·芬奇敏锐地感到这一点，他首先使自己画笔下的人物出现明朗的笑容，用自己创造的艺术形象表明：冲破封建专制藩篱的人也有七情六欲，是向往自由快乐的生活的。在此基础上，达·芬奇创作的《蒙娜·丽莎》极为成功。尤其是主人公的微笑，极具时代精神，其艺术感染力是其他作品所不能比拟的。 相关文章没找到相关文章最新评论<table class="wumii-related-items" cellspacing="0" cellpadding="3" border="0"  style="clear: both;">
    
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			<content:encoded><![CDATA[<p>画坛巨匠达·芬奇在文艺复兴时期最出色的代表作是《蒙娜·丽莎》 ，这是<span class='bm_keywordlink_affiliate'><a href="http://www.10why.net/tag/人类" target="_blank">人类</a></span>文化宝库中的瑰宝。这幅肖像最重要的艺术特征是蒙娜·丽莎的微笑，有“谜一般的微笑”、“神秘的微笑”之称。当时作者创作这幅画时是在黑暗的中世纪，蒙昧残酷的封建统治和基督教的禁欲主义使西欧人带上了沉重的精神枷锁，任何喜怒哀乐都会被视为触犯了上帝的天条。文艺复兴给西欧的画坛带来了生机，作为时刻关注国家命运的达·芬奇敏锐地感到这一点，他首先使自己画笔下的人物出现明朗的笑容，用自己创造的艺术形象表明：冲破封建专制藩篱的人也有七情六欲，是向往自由快乐的生活的。在此基础上，达·芬奇创作的《蒙娜·丽莎》极为成功。尤其是主人公的微笑，极具时代精神，其艺术感染力是其他作品所不能比拟的。</p>
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</table><h3>相关文章</h3><ul><li>没找到相关文章</li></ul><h3>最新评论</h3><ul></ul>]]></content:encoded>
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		</item>
		<item>
		<title>为什么说钟繇是“楷书之祖”？</title>
		<link>http://www.10why.net/20111223/zhong-yao/</link>
		<comments>http://www.10why.net/20111223/zhong-yao/#comments</comments>
		<pubDate>Fri, 23 Dec 2011 08:09:56 +0000</pubDate>
		<dc:creator>jackly</dc:creator>
				<category><![CDATA[文化与艺术]]></category>
		<category><![CDATA[楷书]]></category>
		<category><![CDATA[钟繇]]></category>

		<guid isPermaLink="false">http://www.10why.net/?p=3219</guid>
		<description><![CDATA[楷书在我国各种书体中是最重要的一种。它既有很高的艺术欣赏价值，又长期是我国通行的规范化字体。楷书的创建者，是三国时的钟繇（151～230）。善于变革的钟繇，搜集了民间的写法，研究了章草的快速笔法，在隶书端庄优美的字形基础上，统一了隶书所有的横；用竖直工整的撇、捺，代替了曲圆、拖展的隶书撇、捺；加强了钩势，一种新的字体诞生了。由于它形体方正，横平竖直，规规矩矩，所以被叫做“楷书”（当时叫“楷隶” ）。钟繇也就理所应当的被称为“楷书之祖”了。 相关文章没找到相关文章最新评论<table class="wumii-related-items" cellspacing="0" cellpadding="3" border="0"  style="clear: both;">
    
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			<content:encoded><![CDATA[<p>楷书在我国各种书体中是最重要的一种。它既有很高的艺术欣赏价值，又长期是我国通行的规范化字体。楷书的创建者，是三国时的钟繇（151～230）。善于变革的钟繇，搜集了民间的写法，研究了章草的快速笔法，在隶书端庄优美的字形基础上，统一了隶书所有的横；用竖直工整的撇、捺，代替了曲圆、拖展的隶书撇、捺；加强了钩势，一种新的字体诞生了。由于它形体方正，横平竖直，规规矩矩，所以被叫做“楷书”（当时叫“楷隶” ）。钟繇也就理所应当的被称为“楷书之祖”了。</p>
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</table><h3>相关文章</h3><ul><li>没找到相关文章</li></ul><h3>最新评论</h3><ul></ul>]]></content:encoded>
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		<item>
		<title>为什么说甲骨文是中国最早的书法艺术？</title>
		<link>http://www.10why.net/20111221/jia-gu-wen/</link>
		<comments>http://www.10why.net/20111221/jia-gu-wen/#comments</comments>
		<pubDate>Wed, 21 Dec 2011 02:01:14 +0000</pubDate>
		<dc:creator>jackly</dc:creator>
				<category><![CDATA[文化与艺术]]></category>
		<category><![CDATA[书法]]></category>
		<category><![CDATA[艺术]]></category>
		<category><![CDATA[骨文]]></category>

		<guid isPermaLink="false">http://www.10why.net/?p=3197</guid>
		<description><![CDATA[在距今三四千年以前，是我国的殷商时期。当时没有纸，人们记录文字的工具，是牛的骨头和乌龟的甲壳，文字一般都是用刀刻上去的，我们现在叫它“甲骨文”。甲骨文一般刻得很精细，有的刻完后还用朱砂镶嵌成红字，相当漂亮。它的字体，是属于最原始的大篆。甲骨文主要是占卜吉凶的卦文。传说，当时刻时，往往要举行隆重的仪式，以求吉祥。一般要由专人来刻，这些人被称为“贞人”，就是当时的史官。在甲骨文中，往往都刻上贞人的姓名，这些贞人就是当时的书法家了。甲骨文是我国目前所发现得最早的文字， 它向我们展示了我国书法源远流长的历史，是我国最早的书法艺术。 相关文章为什么说齐白石是我国近代艺术大师？(1) 最新评论<table class="wumii-related-items" cellspacing="0" cellpadding="3" border="0"  style="clear: both;">
    
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			<content:encoded><![CDATA[<p>在距今三四千年以前，是我国的殷商时期。当时没有纸，人们记录文字的工具，是牛的骨头和乌龟的甲壳，文字一般都是用刀刻上去的，我们现在叫它“甲骨文”。甲骨文一般刻得很精细，有的刻完后还用朱砂镶嵌成红字，相当漂亮。它的字体，是属于最原始的大篆。甲骨文主要是占卜吉凶的卦文。传说，当时刻时，往往要举行隆重的仪式，以求吉祥。一般要由专人来刻，这些人被称为“贞人”，就是当时的史官。在甲骨文中，往往都刻上贞人的姓名，这些贞人就是当时的书法家了。甲骨文是我国目前所发现得最早的文字， 它向我们展示了我国书法源远流长的历史，是我国最早的书法艺术。</p>
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</table><h3>相关文章</h3><ul><li><a href="http://www.10why.net/20111125/qi-bai-shi/" title="为什么说齐白石是我国近代艺术大师？ 2011.11.25">为什么说齐白石是我国近代艺术大师？</a>(1)</li>
</ul><h3>最新评论</h3><ul></ul>]]></content:encoded>
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		<title>什么是“马一角”和“夏半边”？</title>
		<link>http://www.10why.net/20111129/myj-xbb/</link>
		<comments>http://www.10why.net/20111129/myj-xbb/#comments</comments>
		<pubDate>Tue, 29 Nov 2011 12:58:01 +0000</pubDate>
		<dc:creator>jackly</dc:creator>
				<category><![CDATA[文化与艺术]]></category>
		<category><![CDATA[南宋]]></category>
		<category><![CDATA[夏半边]]></category>
		<category><![CDATA[马一角]]></category>

		<guid isPermaLink="false">http://www.10why.net/?p=2350</guid>
		<description><![CDATA[被称为“南宋四大家”的李唐、刘松年、马远、夏圭，对五代、北宋的山水、人物画进行了重大变革，创立了南宋的“院体”画风，形成了鲜明的时代特色。其中以马远、夏圭为其中代表人物。马远出生于丹青世家，他继承家学，取法李唐，青出于蓝而胜于蓝，自成一派。他画山石用笔好像斧劈木一样，方硬多棱角，画树木时多横斜曲折，画楼阁大都运用界尺加衬染，水墨苍劲，虽不作层层渲染，但着重浓淡层次的变化，远近分明。其构图常取一角、半边的景致，被称做“马一角”。夏圭与马远同创水墨苍劲一派，但又有自己的个人风格。他在构图上喜欢取半边之景，侧重一隅，意境开阔，被称为“夏半边”。两人新的山水画风，左右了南宋150余年的画坛，对后世有很大的影响。 相关文章没找到相关文章最新评论<table class="wumii-related-items" cellspacing="0" cellpadding="3" border="0"  style="clear: both;">
    
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			<content:encoded><![CDATA[<div class="mceTemp"></div>
<p>被称为“南宋四大家”的李唐、刘松年、马远、夏圭，对五代、北宋的山水、人物画进行了重大变革，创立了南宋的“院体”画风，形成了鲜明的时代特色。其中以马远、夏圭为其中代表人物。马远出生于丹青世家，他继承家学，取法李唐，青出于蓝而胜于蓝，自成一派。他画山石用笔好像斧劈木一样，方硬多棱角，画<span class='bm_keywordlink_affiliate'><a href="http://www.10why.net/tag/树" target="_blank">树</a></span>木时多横斜曲折，画楼阁大都运用界尺加衬染，水墨苍劲，虽不作层层渲染，但着重浓淡层次的变化，远近分明。其构图常取一角、半边的景致，被称做“马一角”。夏圭与马远同创水墨苍劲一派，但又有自己的个人风格。他在构图上喜欢取半边之景，侧重一隅，意境开阔，被称为“夏半边”。两人新的山水画风，左右了南宋150余年的画坛，对后世有很大的影响。</p>
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</table><h3>相关文章</h3><ul><li>没找到相关文章</li></ul><h3>最新评论</h3><ul></ul>]]></content:encoded>
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		<item>
		<title>为什么说吴昌硕是开启一代画风的画家？</title>
		<link>http://www.10why.net/20111129/wu-chang-shuo/</link>
		<comments>http://www.10why.net/20111129/wu-chang-shuo/#comments</comments>
		<pubDate>Tue, 29 Nov 2011 12:51:40 +0000</pubDate>
		<dc:creator>jackly</dc:creator>
				<category><![CDATA[文化与艺术]]></category>
		<category><![CDATA[吴昌硕]]></category>
		<category><![CDATA[画家]]></category>
		<category><![CDATA[画风]]></category>

		<guid isPermaLink="false">http://www.10why.net/?p=2358</guid>
		<description><![CDATA[吴昌硕（1844～1927），是近代杰出画家，书画皆能。他30岁以后才开始学画。据说他在向当时的大画家任伯年请教学画时，任让他先画几笔以见其程度，画后，任伯年大为惊叹，称他今后在绘画上必有发展。果然，吴昌硕成为近代绘画史上一位影响深远的大画家。日本人称赞吴昌硕为“唐之后第一人”，可见其的影响力。吴昌硕最擅长写意花卉，受徐渭和“八大山人”影响最大，由于他书法篆刻功底深厚，他把书法、篆刻的行笔、运刀及章法、体势融入绘画，形成了富有金石味的独特画风，他自己说：“我平生得力之处在于能以作书之法作画”。他的独特画风，使他成为了开启了一代画风的画家，对后世影响极大。 相关文章为什么张大千被誉为“当代第一大画家”？(1) 为什么说顾恺之是“以形写神”的画家？(0) 最新评论<table class="wumii-related-items" cellspacing="0" cellpadding="3" border="0"  style="clear: both;">
    
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			<content:encoded><![CDATA[<div class="mceTemp"></div>
<p>吴昌硕（1844～1927），是近代杰出画家，书画皆能。他30岁以后才开始学画。据说他在向当时的大画家任伯年请教学画时，任让他先画几笔以见其程度，画后，任伯年大为惊叹，称他今后在绘画上必有发展。果然，吴昌硕成为近代绘画史上一位影响深远的大画家。<span class='bm_keywordlink_affiliate'><a href="http://www.10why.net/tag/日本" target="_blank">日本</a></span>人称赞吴昌硕为“唐之后第一人”，可见其的影响力。吴昌硕最擅长写意花卉，受徐渭和“八大山人”影响最大，由于他书法篆刻功底深厚，他把书法、篆刻的行笔、运刀及章法、体势融入绘画，形成了富有金石味的独特画风，他自己说：“我平生得力之处在于能以作书之法作画”。他的独特画风，使他成为了开启了一代画风的画家，对后世影响极大。</p>
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		<title>为什么说齐白石是我国近代艺术大师？</title>
		<link>http://www.10why.net/20111125/qi-bai-shi/</link>
		<comments>http://www.10why.net/20111125/qi-bai-shi/#comments</comments>
		<pubDate>Fri, 25 Nov 2011 02:50:06 +0000</pubDate>
		<dc:creator>jackly</dc:creator>
				<category><![CDATA[文化与艺术]]></category>
		<category><![CDATA[艺术]]></category>
		<category><![CDATA[齐白石]]></category>

		<guid isPermaLink="false">http://www.10why.net/?p=2398</guid>
		<description><![CDATA[齐白石（1864～1957），名璜，号白石山人，简称白石。早年曾做雕花木匠，27岁开始拜师学习诗文、篆刻、书法、绘画。他的人品、绘画、诗句、书法、刻篆无不出类拔萃。他的艺术创作极其丰富，风格对现代乃至当代中国画创作有着极为巨大的影响。在绘画方面，他专长花鸟，笔酣墨饱，力健有锋。画虫则一丝不苟，极为精细，尤以虾蟹、蝶、蝉、鱼、鸟见长，每幅作品均洋溢着自然界生机勃勃的气息。山水构图奇异不落旧俗，篆刻独出新意，书法卓然不群，可谓全才，所以齐白石被人们称为近代杰出的艺术大师。 什么是“岭南画派”？ 岭南画派是以中西美术交融为特色的融合派别。由于广州是近代中国最早与国外进行经济、文化交流的口岸，并且地处五岭之南，不少留学欧美、日本归来的画家聚集于此，大胆融合西洋、东洋画法革新国画，形成了一种独特的画风，被称为“岭南画派”。高剑父、高夺峰、陈树人是岭南画派的创立者，人称“岭南三杰”。 相关文章为什么说甲骨文是中国最早的书法艺术？(0) 最新评论为什么中文网 : 齐白石的确不凡!<table class="wumii-related-items" cellspacing="0" cellpadding="3" border="0"  style="clear: both;">
    
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			<content:encoded><![CDATA[<p><a href="http://www.10why.net/wp-content/uploads/2011/11/qbs.jpg"></a></p>
<p>齐白石（1864～1957），名璜，号白石山人，简称白石。早年曾做雕花木匠，27岁开始拜师学习诗文、篆刻、书法、绘画。他的人品、绘画、诗句、书法、刻篆无不出类拔萃。他的艺术创作极其丰富，风格对现代乃至当代中国画创作有着极为巨大的影响。在绘画方面，他专长花鸟，笔酣墨饱，力健有锋。画虫则一丝不苟，极为精细，尤以虾蟹、蝶、蝉、<span class='bm_keywordlink_affiliate'><a href="http://www.10why.net/tag/鱼" target="_blank">鱼</a></span>、鸟见长，每幅作品均洋溢着自然界生机勃勃的气息。山水构图奇异不落旧俗，篆刻独出新意，书法卓然不群，可谓全才，所以齐白石被人们称为近代杰出的艺术大师。</p>
<blockquote><p><strong>什么是“岭南画派”？</strong><br />
岭南画派是以中西美术交融为特色的融合派别。由于广州是近代中国最早与国外进行经济、文化交流的口岸，并且地处五岭之南，不少留学欧美、<span class='bm_keywordlink_affiliate'><a href="http://www.10why.net/tag/日本" target="_blank">日本</a></span>归来的画家聚集于此，大胆融合西洋、东洋画法革新国画，形成了一种独特的画风，被称为“岭南画派”。高剑父、高夺峰、陈<span class='bm_keywordlink_affiliate'><a href="http://www.10why.net/tag/树" target="_blank">树</a></span>人是岭南画派的创立者，人称“岭南三杰”。</p></blockquote>
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</table><h3>相关文章</h3><ul><li><a href="http://www.10why.net/20111221/jia-gu-wen/" title="为什么说甲骨文是中国最早的书法艺术？ 2011.12.21">为什么说甲骨文是中国最早的书法艺术？</a>(0)</li>
</ul><h3>最新评论</h3><ul><li><a class="commentor" href="" >为什么中文网</a> : <a class="comment_content" href="http://www.10why.net/20111125/qi-bai-shi/#comment-3246" title="View the entire comment by 为什么中文网" >齐白石的确不凡!</a></li>
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		<title>为什么张大千被誉为“当代第一大画家”？</title>
		<link>http://www.10why.net/20111121/zhang-da-qian/</link>
		<comments>http://www.10why.net/20111121/zhang-da-qian/#comments</comments>
		<pubDate>Mon, 21 Nov 2011 01:57:55 +0000</pubDate>
		<dc:creator>jackly</dc:creator>
				<category><![CDATA[文化与艺术]]></category>
		<category><![CDATA[张大千]]></category>
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			<content:encoded><![CDATA[<p><a href="http://www.10why.net/wp-content/uploads/2011/11/zdq.jpg"></a></p>
<p>我国唐代著名画家王洽以“泼墨山水”闻名，这种特殊的山水画法也一直被后人所沿用。大家都在使用“泼墨”，完善和发展“泼墨”，但从没有人想过“泼彩”。以水墨为主的“写意山水”和精工细描的“青绿山水”，在一千多年的历史长河中，各自发展，泾渭分明。进入到20世纪中期，举世闻名的当代国画大师张大千， 才完成了这一历史性的突破。在浓重墨色的映衬下，画面光彩夺目，意境深邃幽远。这是一个成功的创举，张大千的名字与“泼彩”连在一起。他沟通了“水墨写意”和“工笔重彩”两种画法，填补了中国画传统技法的空白。在此基础上，张大千又进一步把中国画法与西方绘画的方法融会贯通，并融百家之长形成自己的风格。 年仅30岁时便与齐白石齐名，以“南张北齐”享誉中华，被人称之为“当代第一大画家”。</p>
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		<item>
		<title>为什么会出现“贞观之治”？</title>
		<link>http://www.10why.net/20111118/zgzz/</link>
		<comments>http://www.10why.net/20111118/zgzz/#comments</comments>
		<pubDate>Fri, 18 Nov 2011 08:55:42 +0000</pubDate>
		<dc:creator>jackly</dc:creator>
				<category><![CDATA[文化与艺术]]></category>
		<category><![CDATA[贞观之治]]></category>

		<guid isPermaLink="false">http://www.10why.net/?p=2445</guid>
		<description><![CDATA[唐太宗即位后，以史为鉴，以民为本，吸取隋亡教训，居安思危，励精图治，调整统治政策：劝农务本，减轻赋役；为增加劳动，下令招徕、赎还被外族掳掠的人口，释放宫女，解放奴婢，招抚流民，归土务农；完全法制，重法轻狱，缓刑慎罚；崇尚节俭，精简政权机构，改革府兵制；兴办学校，健全科举制度；对少数民族主张华夷一家，实行安抚政策，重用少数民族将领；他还广开言路，虚心纳谏，选贤任能。 在唐太宗的悉心治理下，贞观年间（627～649） ，政治清明，社会秩序稳定，社会经济迅速发展，唐朝国势日渐强盛，史称“贞观之治” 。 相关文章没找到相关文章最新评论<table class="wumii-related-items" cellspacing="0" cellpadding="3" border="0"  style="clear: both;">
    
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</table>]]></description>
			<content:encoded><![CDATA[<p>唐太宗即位后，以史为鉴，以民为本，吸取隋亡教训，居安思危，励精图治，调整统治政策：劝农务本，减轻赋役；为增加劳动，下令招徕、赎还被外族掳掠的人口，释放宫女，解放奴婢，招抚流民，归土务农；完全法制，重法轻狱，缓刑慎罚；崇尚节俭，精简政权机构，改革府兵制；兴办学校，健全科举制度；对少数民族主张华夷一家，实行安抚政策，重用少数民族将领；他还广开言路，虚心纳谏，选贤任能。</p>
<p>在唐太宗的悉心治理下，贞观年间（627～649） ，政治清明，社会秩序稳定，社会经济迅速发展，唐朝国势日渐强盛，史称“贞观之治” 。</p>
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		<title>郎世宁对中国传统绘画有何影响？</title>
		<link>http://www.10why.net/20111117/lang-shi-lin/</link>
		<comments>http://www.10why.net/20111117/lang-shi-lin/#comments</comments>
		<pubDate>Thu, 17 Nov 2011 10:22:09 +0000</pubDate>
		<dc:creator>jackly</dc:creator>
				<category><![CDATA[推荐]]></category>
		<category><![CDATA[文化与艺术]]></category>
		<category><![CDATA[影响]]></category>
		<category><![CDATA[绘画]]></category>
		<category><![CDATA[郎世宁]]></category>

		<guid isPermaLink="false">http://www.10why.net/?p=2353</guid>
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			<content:encoded><![CDATA[<p>郎世宁原名朱塞佩·伽斯底里奥内，1715年8月17日作为传教士抵达澳门，并以“郎世宁”作为名字，开始了他在中国宫廷长达数十年的艺术生涯。郎世宁具有坚实的素描功力，描绘人物维妙维肖，深得皇帝的喜爱。雍正皇帝胤 、乾隆皇帝弘历以及弘历的后妃、子女等都曾由郎世宁留下了肖像。郎世宁对于清代宫廷绘画所独有的中西合璧绘画风格的形成，起到了决定性的作用。郎世宁不但自己在宫廷内作画，而且还将欧洲绘画的技艺传授给中国的同行。他的中国学生多达10多人，这些画家连同他们的老师郎世宁， 在宫廷中形成了一种既不同于以往的宫廷绘画，又不同于同时代的文人绘画及民间绘画的新颖、别致的流派，并使之成为雍正、乾隆时期宫廷绘画的主要风格。</p>
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</table><h3>相关文章</h3><ul><li>没找到相关文章</li></ul><h3>最新评论</h3><ul></ul>]]></content:encoded>
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		<title>为什么说徐悲鸿是中国美术界的“一代宗师”？</title>
		<link>http://www.10why.net/20111117/xu-bei-hong/</link>
		<comments>http://www.10why.net/20111117/xu-bei-hong/#comments</comments>
		<pubDate>Thu, 17 Nov 2011 03:08:05 +0000</pubDate>
		<dc:creator>jackly</dc:creator>
				<category><![CDATA[文化与艺术]]></category>
		<category><![CDATA[徐悲鸿]]></category>
		<category><![CDATA[美术]]></category>

		<guid isPermaLink="false">http://www.10why.net/?p=2401</guid>
		<description><![CDATA[&#160; &#160; 在中国的现代绘画史上，徐悲鸿和齐白石占有重要的位置，他们的影响之大，地位之高，是同期其他画家所不能比拟的。徐悲鸿（1895～1953）出生于江苏宜兴的一个乡村画师家庭里，自幼习画。解放后他被任命为中央美术学院院长兼中国美术家协会主席。他多年致力于美术教育，逐步建立一个系统完整的美术教育体系。作为“一代宗师”，徐悲鸿当之无愧。徐悲鸿是杰出的美术教育家，也是杰出的画家。他一生绘制了大量的作品，人们对徐悲鸿作品尤其喜爱的是那些奔驰无羁的骏马。这些英俊矫健、 一身傲气的精灵，或踯躅于旷野山巅，或奔驰于荒野大漠，向往自由和光明，充满着时代的激情和风采。丰富而怪诞的墨韵，喻意向外的独特意境使这些骏马成为中国绘画的象征。 相关文章没找到相关文章最新评论<table class="wumii-related-items" cellspacing="0" cellpadding="3" border="0"  style="clear: both;">
    
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<p>在中国的现代绘画史上，徐悲鸿和齐白石占有重要的位置，他们的影响之大，地位之高，是同期其他画家所不能比拟的。徐悲鸿（1895～1953）出生于江苏宜兴的一个乡村画师家庭里，自幼习画。解放后他被任命为中央美术学院院长兼中国美术家协会主席。他多年致力于美术教育，逐步建立一个系统完整的美术教育体系。作为“一代宗师”，徐悲鸿当之无愧。徐悲鸿是杰出的美术教育家，也是杰出的画家。他一生绘制了大量的作品，人们对徐悲鸿作品尤其喜爱的是那些奔驰无羁的骏马。这些英俊矫健、 一身傲气的精灵，或踯躅于旷野山巅，或奔驰于荒野大漠，向往自由和光明，充满着时代的激情和风采。丰富而怪诞的墨韵，喻意向外的独特意境使这些骏马成为中国绘画的象征。</p>
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