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	<title>十万个为什么 &#187; 顾恺之</title>
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		<title>为什么说顾恺之是“以形写神”的画家？</title>
		<link>http://www.10why.net/20090703/gu-kai-zhi/</link>
		<comments>http://www.10why.net/20090703/gu-kai-zhi/#comments</comments>
		<pubDate>Fri, 03 Jul 2009 08:33:55 +0000</pubDate>
		<dc:creator>jackly</dc:creator>
				<category><![CDATA[文化与艺术]]></category>
		<category><![CDATA[画家]]></category>
		<category><![CDATA[顾恺之]]></category>

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		<description><![CDATA[顾恺之是东晋画家，与南朝的陆探微、张僧繇合称“六朝三杰” 。他能诗赋，善书画，多才多艺。他的人物画通过描写外部形象来表现人物内在的精神面貌，以形传神， 使汉代多重动态、外形生动的特点转向注意神韵和内心世界表现，这是他对中国绘画的一个重大贡献，所以有人称他是“以形写神”的画家。顾恺之一生创作了许多优秀作品，并有画论传世。由于年代久远，我们今天只能从唐宋人临摹的《女史箴图》 、《列女仁智图》、《洛神赋图》 等名作中，感觉他传神的笔法。这些娴静端庄的人物神态，秀丽的设色以及环境布景、 服饰道具的设置， 无不奇古质朴，人物的描画有强烈的节奏感和运动感，十分匀和，悠缓自然。作为一代宗师，他的“以形写神”的画论对后世影响极大，张僧繇、展子虔、阎立本、吴道子等都摹写过他的画。 &#160; 相关文章为什么说吴昌硕是开启一代画风的画家？(0) 为什么张大千被誉为“当代第一大画家”？(1) 最新评论<table class="wumii-related-items" cellspacing="0" cellpadding="3" border="0"  style="clear: both;">
    
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			<content:encoded><![CDATA[<p><a href="http://www.10why.net/wp-content/uploads/2009/07/gukaizhi.jpg"><img class="alignleft size-full wp-image-1648" title="顾恺之" src="http://www.10why.net/wp-content/uploads/2009/07/gukaizhi.jpg" alt="顾恺之" width="295" height="286" /></a>顾恺之是东晋画家，与南朝的陆探微、张僧繇合称“六朝三杰” 。他能诗赋，善书画，多才多艺。他的人物画通过描写外部形象来表现人物内在的精神面貌，以形传神， 使汉代多重动态、外形生动的特点转向注意神韵和内心世界表现，这是他对中国绘画的一个重大贡献，所以有人称他是“以形写神”的画家。顾恺之一生创作了许多优秀作品，并有画论传世。由于年代久远，我们今天只能从唐宋人临摹的《女史箴图》 、《列女仁智图》、《洛神赋图》 等名作中，感觉他传神的笔法。这些娴静端庄的人物神态，秀丽的设色以及环境布景、 服饰道具的设置， 无不奇古质朴，人物的描画有强烈的节奏感和运动感，十分匀和，悠缓自然。作为一代宗师，他的“以形写神”的画论对后世影响极大，张僧繇、展子虔、阎立本、吴道子等都摹写过他的画。</p>
<p>&nbsp;</p>
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